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Legacy & Innovation: 3 Cry Baby Models From Dunlop

Добавлено 1 января 2012, с комментарием:
visit http://crybabydoc.com/ to view the award winning documentary about the Cry Baby wah wah pedal-"Cry Baby: The Pedal That Rocks The World"

In this video Dunlop Manufacturing presents three different Cry Baby Wah-Wah pedal models they currently produce that exemplify the company's mission to preserve the historic legacy of the Cry Baby pedal while at the same time constantly looking for ways to innovate the device to meet the demands of modern players.
GCB95 CRY BABY®
When people talk about wah-wah pedals, they're talking about the Cry Baby Wahs. This is the one that created some of the most timeless sounds in rock. The pedal that would eventually become the Cry Baby was first created in 1966 by engineers at the Thomas Organ Company and went on to change the sound of electrified music forever.
Power: Dunlop ECB003 AC Adapter or Single 9 volt battery
GCB95F CRY BABY® CLASSIC
The heart and soul of the original wah pedals was the legendary Fasel inductor, and the Cry Baby Classic has it. Why is that important? Because the Fasel inductor was the key to the gorgeous tone, voice, and sweep of those first wahs. Plus, these inductors have been unavailable for decades. Now you can get that magic tone again. Go back in time with the Cry Baby Classic with Fasel Inside. Hear what you've been missing.
Power: Dunlop ECB003 AC Adapter or Single 9 volt battery
95Q CRY BABY® WAH WAH
We've taken the original Cry Baby and added three of our most popular upgrades: the famous "Q" Control, which varies the intensity of the wah effect by adjusting the effect's bandpass shape; Volume Boost, for up to +15dB added gain; and our Auto-Return function that automatically engages the effect when you place your foot on the pedal. It all adds up to a versatile, great sounding wah.
Power: Dunlop ECB003 AC Adapter or Single 9 volt battery

VIDEO CREDITS:
Starring Bobby Cedro, Senior Engineer Dunlop Mfg.
Produced & Directed by Joey Tosi
Edited & Recorded by Max Baloian
Art Director: Graham Shaw
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